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  • Compact Disc (CD)

    numbered cd printed cd-r in jewel case. jam017.

    Includes unlimited streaming of the time machine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 5000 

     $7 CAD or more

     

  • Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    inri043.

     $7 CAD  or more

     

  • Full Digital Discography

    Get all 69 jessica murray releases available on Bandcamp.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of inricited, boogeyman, teenage jesus, circus, the harsh truth is that only idiots wish for happiness, i think i feel much better now, why, useless, and 61 more. , and , .

     $568 CAD or more

     

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about

regarding this piece, my memory is blurry; yet, i have a vivid recollection of playing parts of it for my guitar teacher on a sunny day, where there was still snow on the ground. it's funny how we remember seemingly irrelevant details, but i guess the atmosphere of the performance is important because the performance is. that would date it to roughly march, 2001.

i switched the piece from classical guitar to piano halfway through writing it, and vaguely remember thinking that an impossible interval had something to do with it (a specific c# cannot be hit on a standard classical). yet, that doesn't change the fact that it's guitar music. the counterpoint is very guitar.

to further complicate things, i've long wanted to turn the piece into a jazzy idm romp. it has a kind of a jingly feel to it that belongs in the warp records sphere.

so, what is this? a classical guitar piece? a jazzy piano piece? a techno tune? all of the above! as with other pieces from this period, this is presented here in multiple formats: several rendered midi tracks, live guitar versions, a vst version and a "full band" version - as well as multiple remixes.

i have included the original midi file (and sheet music in pdf) as a bonus item in the download, if you want to play with it on your own.

conceptually, the time machine aspect referred simply to the slowed down guitar chords at the beginning of the song. if you play it a certain way, it sounds like time is collapsing in on itself. or, so i thought, anyways. the various versions i have created here have made an attempt to take that idea to it's logical conclusion. it's a mix of the vision i had at the time and a bit of hindsight.

six further mixes were added at the end of may, 2015. two of these are "techno" mixes of the song, three are interpretations of the piece on a solo instrument and one is a rearrangement for a full string orchestra. i've decided to present the material in a way that is really two eps combined together, with the first being arrangements for multiple instruments and the second being arrangements for solo instruments. note that there is a placeholder for the track as it was initially written for a 21-fret classical guitar.

written early 2001. drastically rearranged in june, 2014. rendered, arranged and performed over june and july, 2014. remixed and re-rendered several times over late may, 2015. as always, please use headphones.

* download only

credits

released March 21, 2001

j - electric guitar, programming, digital effects & treatments, digital wave editing, loops, production, composition.

the various rendered electronic orchestras include acoustic bass, synth bass, electric bass, upright bass, brass, orchestra hit, drum machine, electronic drum kit, nylon guitar, electric guitar, violin, viola, cello, contrabass, synthesizers, synthesizer effects, music box, detuned piano, piano, bells, hammer, vibraphone, marimba and mellotron.

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all rights reserved

about

jessica murray

this is the archive for the artist formerly known as jason parent and now known as jessica murray.

the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
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