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Buy the Full Digital Album
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third official record + covers disc released at about the same time, in late 1999.
contents:
1) jasonparent.bandcamp.com/album/inrimake
2) jasonparent.bandcamp.com/album/inridiculous
the way this works is that you have to download inrimake, as it is not available for physical purchase.ships out within 3 daysedition of 5000Purchasable with gift card$21 CAD or more
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this is the sequence of official records, which currently includes my first seven records (inri015, inri021, inri033, inri041, inri052, inri063, inri081) and five other semi-official records, for completeness: my unofficial zeroth record (inri002), the unofficial download-only remixes/covers disc (inri032), the period 1.3/2.1 outtakes disc (inri042), and the album-length kosmische piece the wave (inri053).
contents:
0) jasonparent.bandcamp.com/album/inricycled
1) jasonparent.bandcamp.com/album/inri-3
2) jasonparent.bandcamp.com/album/inriched
2.5) jasonparent.bandcamp.com/album/inrimake
3) jasonparent.bandcamp.com/album/inridiculous
4) jasonparent.bandcamp.com/album/deny-everything
4.5) jasonparent.bandcamp.com/album/inrimoved
5) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
5.5) jasonparent.bandcamp.com/album/the-wave
6) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj-2
6.5) jasonparent.bandcamp.com/album/orchestral-works-vol-1
7) jasonparent.bandcamp.com/album/ftaa
the way this works is that you have to download inrimake, because it doesn't have a physical release.
this is meant to be cumulative and will increment as further lps generate themselves. ... moreships out within 7 daysedition of 5000Purchasable with gift card$221 CAD or more
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about
this was for a project on the god lives underwater mailing list. it's a pretty abstract remix that has a few things of note:
1) this is the first thing i can recall recording directly into the computer, without using the 4-track as a temporary medium. well, i was still using it as a mixer for a little bit, but i wasn't recording directly to tape. it was just pragmatism: i had constructed the drum loops using a wave editor and didn't have the right cord to transfer it to tape without it getting all full of tape hiss. i also remember being a little sick of having to run everything through noise reduction (which adds these high pitched burbles and other weirdness).
here's the thing, though. it's 1999. i'm 18. i don't have cash to shell out on fancy software like cakewalk (now sonar) or logic (now garage band). warez existed, but internet connections were slow. dial-up slow. there were also restrictions regarding the speed of my pentium I, or whatever it was; i managed to find myself an 'evaluation copy' of logic, but the computer was only able to use it as a sequencer.
so, i had to improvise. i didn't realize the ramifications of the approach i took until years later when i took a math course in wavelet design, of all things. the approach i settled on wasn't merely a shift in technology, it had a *dramatic* effect on the composition process.
what i did was pretty crude - i recorded files in one at a time and pasted them on top of each other. what i didn't realize is that this is actually carrying out a type of *synthesis* rather than a type of *mixing*. this creates a blurry sound that produces an impressionist aesthetic that i would learn to take full advantage of.
2) this is my first conscious attempt at something trip-hop.
3) some time after i posted it to the list, i got a snotty email in my box from david reilly (singer of god lives underwater) that said something along the lines of "i am aware of what you did to my song", as though it was some kind of travesty. i laughed...
this is so dramatically different from the original that it's reasonable to say something like that it's "inspired by" the original rather than a remix or a cover. it does contain creatively reinterpreted samples of the original.
created in feb, 1999.
1) this is the first thing i can recall recording directly into the computer, without using the 4-track as a temporary medium. well, i was still using it as a mixer for a little bit, but i wasn't recording directly to tape. it was just pragmatism: i had constructed the drum loops using a wave editor and didn't have the right cord to transfer it to tape without it getting all full of tape hiss. i also remember being a little sick of having to run everything through noise reduction (which adds these high pitched burbles and other weirdness).
here's the thing, though. it's 1999. i'm 18. i don't have cash to shell out on fancy software like cakewalk (now sonar) or logic (now garage band). warez existed, but internet connections were slow. dial-up slow. there were also restrictions regarding the speed of my pentium I, or whatever it was; i managed to find myself an 'evaluation copy' of logic, but the computer was only able to use it as a sequencer.
so, i had to improvise. i didn't realize the ramifications of the approach i took until years later when i took a math course in wavelet design, of all things. the approach i settled on wasn't merely a shift in technology, it had a *dramatic* effect on the composition process.
what i did was pretty crude - i recorded files in one at a time and pasted them on top of each other. what i didn't realize is that this is actually carrying out a type of *synthesis* rather than a type of *mixing*. this creates a blurry sound that produces an impressionist aesthetic that i would learn to take full advantage of.
2) this is my first conscious attempt at something trip-hop.
3) some time after i posted it to the list, i got a snotty email in my box from david reilly (singer of god lives underwater) that said something along the lines of "i am aware of what you did to my song", as though it was some kind of travesty. i laughed...
this is so dramatically different from the original that it's reasonable to say something like that it's "inspired by" the original rather than a remix or a cover. it does contain creatively reinterpreted samples of the original.
created in feb, 1999.
credits
from inrimake,
track released February 25, 1999
j - guitars, effects, bass, synths, samples, loops, drum programming, digital wave editing.
track originally written by god lives underwater. reconstructed and reinterpreted by inri. track contains samples of the original recording.
j - guitars, effects, bass, synths, samples, loops, drum programming, digital wave editing.
track originally written by god lives underwater. reconstructed and reinterpreted by inri. track contains samples of the original recording.
license
all rights reserved
tags
about
jessica murray Windsor, Ontario
this is the archive for the artist formerly known as jason parent and now known as jessica
murray.
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
... more
discography
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Sep 2001 -
Jun 2001 -
May 2001 -
May 2001
contact / help
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