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Buy the Full Digital Album
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third official record + covers disc released at about the same time, in late 1999.
contents:
1) jasonparent.bandcamp.com/album/inrimake
2) jasonparent.bandcamp.com/album/inridiculous
the way this works is that you have to download inrimake, as it is not available for physical purchase.ships out within 3 daysedition of 5000Purchasable with gift card$21 CAD or more
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this is the sequence of official records, which currently includes my first seven records (inri015, inri021, inri033, inri041, inri052, inri063, inri081) and five other semi-official records, for completeness: my unofficial zeroth record (inri002), the unofficial download-only remixes/covers disc (inri032), the period 1.3/2.1 outtakes disc (inri042), and the album-length kosmische piece the wave (inri053).
contents:
0) jasonparent.bandcamp.com/album/inricycled
1) jasonparent.bandcamp.com/album/inri-3
2) jasonparent.bandcamp.com/album/inriched
2.5) jasonparent.bandcamp.com/album/inrimake
3) jasonparent.bandcamp.com/album/inridiculous
4) jasonparent.bandcamp.com/album/deny-everything
4.5) jasonparent.bandcamp.com/album/inrimoved
5) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
5.5) jasonparent.bandcamp.com/album/the-wave
6) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj-2
6.5) jasonparent.bandcamp.com/album/orchestral-works-vol-1
7) jasonparent.bandcamp.com/album/ftaa
the way this works is that you have to download inrimake, because it doesn't have a physical release.
this is meant to be cumulative and will increment as further lps generate themselves. ... moreships out within 7 daysedition of 5000Purchasable with gift card$221 CAD or more
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about
tricil and i were on some of the same lists in the late 90s. he put out a request for remixes, and i took it up.
dating this exactly is difficult. the mp3 i have is time stamped to early 2000. tricil suggests it may have been late '98. there's the possible window. yet, judging from the style, i think it has to be post-demo. i have a lull in the april-june period. judging from other tracks of the period, it also seems to coincide best with my 'shockingly crude samples' phase.
regarding those samples. well, they're from reservoir dogs. three levels. first, i was thinking, listening to it, that it would work well with reservoir dogs. i eventually rejected the idea as too restricting, but i was entertaining the idea of working in film scores at the time. what i'm saying is that the music reminded me of the scene rather than the other way around, so i tossed the scene in. second, once i actually got it together, i enjoyed how twisted it sounded, 'cause i was like that. third, i was thinking a lot about huge dicks at the time - coming off the rejected ruiner cover and in general. i should note, however, that i've removed roughly 45 seconds of the track due to the reservoir dogs samples (the john hughes / madonna scene) being pointlessly crude.
musically, what i've done here is take the chord progression in the track and build something entirely different out of it. there's but a single loop in the track. i'm basically just jamming with myself in building up the different tracks. yet, it's a radical departure that exists firmly in the pivot point i was taking.
this is so dramatically different from the original that it's reasonable to say something like that it's "inspired by" the original rather than a remix or a cover. it does contain creatively reinterpreted samples of the original.
here's something more recent from tricil:
www.youtube.com/watch?v=gITRmVkZp7A
created in may, 1999. edited in jan, 2014.
dating this exactly is difficult. the mp3 i have is time stamped to early 2000. tricil suggests it may have been late '98. there's the possible window. yet, judging from the style, i think it has to be post-demo. i have a lull in the april-june period. judging from other tracks of the period, it also seems to coincide best with my 'shockingly crude samples' phase.
regarding those samples. well, they're from reservoir dogs. three levels. first, i was thinking, listening to it, that it would work well with reservoir dogs. i eventually rejected the idea as too restricting, but i was entertaining the idea of working in film scores at the time. what i'm saying is that the music reminded me of the scene rather than the other way around, so i tossed the scene in. second, once i actually got it together, i enjoyed how twisted it sounded, 'cause i was like that. third, i was thinking a lot about huge dicks at the time - coming off the rejected ruiner cover and in general. i should note, however, that i've removed roughly 45 seconds of the track due to the reservoir dogs samples (the john hughes / madonna scene) being pointlessly crude.
musically, what i've done here is take the chord progression in the track and build something entirely different out of it. there's but a single loop in the track. i'm basically just jamming with myself in building up the different tracks. yet, it's a radical departure that exists firmly in the pivot point i was taking.
this is so dramatically different from the original that it's reasonable to say something like that it's "inspired by" the original rather than a remix or a cover. it does contain creatively reinterpreted samples of the original.
here's something more recent from tricil:
www.youtube.com/watch?v=gITRmVkZp7A
created in may, 1999. edited in jan, 2014.
credits
from inrimake,
track released May 15, 1999
j - guitars, effects, synths, samples, drum programming, loops, digital wave editing.
the chord progression originally existed within a track by tricil. radically reinterpreted and reassembled by inri. the recording contains a sample of the original track.
j - guitars, effects, synths, samples, drum programming, loops, digital wave editing.
the chord progression originally existed within a track by tricil. radically reinterpreted and reassembled by inri. the recording contains a sample of the original track.
license
all rights reserved
tags
about
jessica murray Windsor, Ontario
this is the archive for the artist formerly known as jason parent and now known as jessica
murray.
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
... more
discography
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Sep 2001 -
Jun 2001 -
May 2001 -
May 2001
contact / help
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