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this is an augmented experiment with a program called "sounder" that takes advantage of some obscure midi qualities to transport the act of triggering a note into the physical world. imagine a midi tennis ball that triggers at different intensities based on how hard the ball is thrown at a wall. now, imagine a frictionless space where that ball can bounce around indefinitely. sounder virtualizes this reality.

the experiment was augmented with synthesizer and guitar parts, and a sample of garry trudeau posing as a political candidate and being interviewed by larry king. i first interacted with that sample early in the morning in a deeply altered state and came to attach certain feelings to it that are difficult to describe. while it's clearly parody, it hit me as being frighteningly representative of reality. i suppose that all effective parody has this quality. perhaps my reaction speaks more of where i was at this point than anything else. i wasn't reacting well to the return of republicanism; i was very much dreading the future that i had no control in preventing. the absurd truth, here, cut me right down.

i was fucking baked.

eventually, i decided that the sample is just not worth listening to repeatedly and removed it from the track. the initial version, with doonesbury sample, is available on let freedom ring (inri036):
jasonparent.bandcamp.com/track/entropy-original-mix

the time stamp on the sample-less version is sept 17, 2006.

recorded in very late 1999. reconstructed to remove the sample on sept 17, 2006.

credits

from deny everything, track released December 17, 1999
j - guitars, effects, synths, sampling, pythagorean sequencing (sounder), digital wave editing

the rendered electronic orchestra includes string ensemble, taiko drums, trumpet & sax.

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jessica murray Windsor, Ontario

this is the archive for the artist formerly known as jason parent and now known as jessica murray.

the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
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