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about

my memory is a little fuzzy with this track, other than that it was constructed all at once in the middle of the night on a cold february morning in a basement that wasn't well heated.

there was some hard drive corruption as the demo was being recorded. i was in a glitchy mindset at the time and decided the skips ought to be interpreted musically. i'm not sure i'd make the same choice now, but i'm not willing to second guess myself, either. so, i skittered up the bass and organ parts to make the entire track sound glitchy to compensate for the skips.

as mentioned, the track was built up quickly, but it was always meant as a demo. i came around to completing it as an instrumental work in mid october, 2014. the removal of sean's vocals required some mild rethinks in terms of melodic content, but the real additions are threefold. first, it is substantially remixed to make it sound thicker. second, some sound design or soundscaping was constructed, mostly for the beginning of the track, but some guitar parts were also added throughout. third, drums were added. this converts the track out of folk (a genre i spend almost no time in) and back into psychedelic pop (my usual home) with hints of fusion, prog and idm.

written in early 2002 and recorded in early 2002 and late 2014. final mix completed on nov 15, 2014.

credits

from jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj​^​2, track released November 15, 2014
j - electric & acoustic guitars, digital effects processing (sounblaster fx, cool edit fx, guitar rig, pod xt, izotope, quadrafuzz, cubase fx, spektral delay), floor effects (art tube mp pre-amp, pod xt amplifier modelling, creamy dreamer), electric bass guitar, electric air reed organ, electronic drum kit, voice, sound design, sampling, digital wave editing, loops, composition, production

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jessica murray Windsor, Ontario

this is the archive for the artist formerly known as jason parent and now known as jessica murray.

the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
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