gravity's rainbow
from deny everything by deny everything
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Buy the Full Digital Album
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Compact Disc (CD) + Digital Albumnumbered cd printed cd-r in jewel case. jam036. lp009.
Includes unlimited streaming of deny everything via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 daysedition of 5000Purchasable with gift card$20 CAD or more
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4th record + period 2.1 outtakes collection.
contents:
1) jasonparent.bandcamp.com/album/deny-everything
2) jasonparent.bandcamp.com/album/inrimoved
you get the download for the record you bought it off of.
maybe i'll send you a code for the other one if you ask nicely :)ships out within 3 daysedition of 5000Purchasable with gift card$40 CAD or more
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this is the sequence of official records, which currently includes my first seven records (inri015, inri021, inri033, inri041, inri052, inri063, inri081) and five other semi-official records, for completeness: my unofficial zeroth record (inri002), the unofficial download-only remixes/covers disc (inri032), the period 1.3/2.1 outtakes disc (inri042), and the album-length kosmische piece the wave (inri053).
contents:
0) jasonparent.bandcamp.com/album/inricycled
1) jasonparent.bandcamp.com/album/inri-3
2) jasonparent.bandcamp.com/album/inriched
2.5) jasonparent.bandcamp.com/album/inrimake
3) jasonparent.bandcamp.com/album/inridiculous
4) jasonparent.bandcamp.com/album/deny-everything
4.5) jasonparent.bandcamp.com/album/inrimoved
5) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
5.5) jasonparent.bandcamp.com/album/the-wave
6) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj-2
6.5) jasonparent.bandcamp.com/album/orchestral-works-vol-1
7) jasonparent.bandcamp.com/album/ftaa
the way this works is that you have to download inrimake, because it doesn't have a physical release.
this is meant to be cumulative and will increment as further lps generate themselves. ... moreships out within 7 daysedition of 5000Purchasable with gift card$221 CAD or more
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about
"the real war is always there. the dying tapers off now and then, but the war is still killing lots of people. only right now it is killing them in more subtle ways, often in ways that are too subtle, even for us, at this level, to trace."
i have very clear memories of tripping out pretty hard into audiomulch programs as the sun appeared through some frosty february mornings. these were fun sounds to program through the bright winter dawn.
the concept came to me while reading the opening sections of the novel of the same title. "gravity's rainbow", itself, is a technical term that refers to the period of time that occurred between a rocket strike and the sound of it coming in. as they were able to move faster than sound, this happened in a way that was non-intuitive: the explosion would happen *first*, and the sound would come after. the inability to hear the rockets come in made life just a wee bit stressful in london during the war.
specifically, the opening scene narrates a movement of people into the london subway system, which was used as a system of bunkers during attacks. we're so far removed from this that it's hard to imagine: sirens going off, perhaps in the middle of the night, followed by waves of working class english scrambling for cover by the trains...
there was a point where it came to me fairly lucidly. i just needed to orchestrate it. it's a famously difficult text, but one can get the idea of the song by merely reading the first chapter.
the star trek sample came later. there were re-runs on around 4:00 in the morning; there probably still are, but i turned the tv off permanently shortly after this song was constructed. we all know what else happens around twenty minutes past 4:00 AM. it was a ritual over that winter. the episode precedes the novel, so it couldn't have been influenced by it, but it is strangely topical in the way that it relates the organians to the pynchonian "counterforce". yet, as mentioned, i was smoking a lot of pot at the time....
as mentioned, the memories are with the sun coming up. maybe you can get a bit of a sense of that.
created over the spring of 2000.
i have very clear memories of tripping out pretty hard into audiomulch programs as the sun appeared through some frosty february mornings. these were fun sounds to program through the bright winter dawn.
the concept came to me while reading the opening sections of the novel of the same title. "gravity's rainbow", itself, is a technical term that refers to the period of time that occurred between a rocket strike and the sound of it coming in. as they were able to move faster than sound, this happened in a way that was non-intuitive: the explosion would happen *first*, and the sound would come after. the inability to hear the rockets come in made life just a wee bit stressful in london during the war.
specifically, the opening scene narrates a movement of people into the london subway system, which was used as a system of bunkers during attacks. we're so far removed from this that it's hard to imagine: sirens going off, perhaps in the middle of the night, followed by waves of working class english scrambling for cover by the trains...
there was a point where it came to me fairly lucidly. i just needed to orchestrate it. it's a famously difficult text, but one can get the idea of the song by merely reading the first chapter.
the star trek sample came later. there were re-runs on around 4:00 in the morning; there probably still are, but i turned the tv off permanently shortly after this song was constructed. we all know what else happens around twenty minutes past 4:00 AM. it was a ritual over that winter. the episode precedes the novel, so it couldn't have been influenced by it, but it is strangely topical in the way that it relates the organians to the pynchonian "counterforce". yet, as mentioned, i was smoking a lot of pot at the time....
as mentioned, the memories are with the sun coming up. maybe you can get a bit of a sense of that.
created over the spring of 2000.
credits
from deny everything,
track released March 2, 2000
j - acoustic & electric guitars, effects, bass, synthesizers, sequencers, programming, granular synthesis, "projectile synthesis" (audiomulch), drums, sampling, loops, films, treatments, digital wave editing
the star trek sample is from the episode "errand of mercy" (mar 23, 1967).
j - acoustic & electric guitars, effects, bass, synthesizers, sequencers, programming, granular synthesis, "projectile synthesis" (audiomulch), drums, sampling, loops, films, treatments, digital wave editing
the star trek sample is from the episode "errand of mercy" (mar 23, 1967).
license
all rights reserved
tags
about
jessica murray Windsor, Ontario
this is the archive for the artist formerly known as jason parent and now known as jessica
murray.
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
... more
discography
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Sep 2001 -
Jun 2001 -
May 2001 -
May 2001
contact / help
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