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inricycled b

from inrijected by inri

/

about

the logic underlying this release was largely that it was a way to reclaim instrumental material from my first two demos, because i did not have source material to properly reconstruct it. as it turns out, the source material that i had is far more complete than i realized, and i was able to effectively partially reconstruct the material in question. that makes the second inricycled redundant, and it has been withdrawn.

the fragments on this release were initially moved to a download-only appendage for inriclaimed, which replaced it in the sequence, but were later moved to inclusion in the inrijected ep, as a single mega mix.

fragment titles:

1) they've finally come to get me / dance into the galaxy
2) a drug of moderate value
3) boris the spider was saved through cryogenics and awakens deep in the future
4) the spiderman shake [boris' flashback]
5) boris the hobo
6) long distance call to planet nibiru
7) a pissed-off 50-foot ian curtis has descended upon the city and is shooting precision laser strikes from his eyes
8) a non-descript object lifts from the ground, levitates, rotates and explodes into a billion colours
9) evil jazz decepticons trash a bowie-srv show circa 1985
10) helicopter cameras pan over landscapes
11) climb up a cloud to combat some hideous creatures and then fly away
12) the return of the grunge princess I (re-entrance)
13) the return of the grunge princess II (testify)
14) wait. this doesn't feel like mdma, guys.
15) exit.

sequenced and mildly modified in jan, 2014. dismantled in july, 2015. moved to inrijected on dec 16, 2016.

credits

from inrijected, track released January 7, 2014
j - guitar, effects, bass, synthesizer, drum programming, sequencing, sampling, loops, found sounds, digital wave editing, production.

license

all rights reserved

tags

about

jessica murray Windsor, Ontario

this is the archive for the artist formerly known as jason parent and now known as jessica murray.

the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
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