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Buy the Full Digital Album
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third official record + covers disc released at about the same time, in late 1999.
contents:
1) jasonparent.bandcamp.com/album/inrimake
2) jasonparent.bandcamp.com/album/inridiculous
the way this works is that you have to download inrimake, as it is not available for physical purchase.ships out within 3 daysedition of 5000Purchasable with gift card$21 CAD or more
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this is the sequence of official records, which currently includes my first seven records (inri015, inri021, inri033, inri041, inri052, inri063, inri081) and five other semi-official records, for completeness: my unofficial zeroth record (inri002), the unofficial download-only remixes/covers disc (inri032), the period 1.3/2.1 outtakes disc (inri042), and the album-length kosmische piece the wave (inri053).
contents:
0) jasonparent.bandcamp.com/album/inricycled
1) jasonparent.bandcamp.com/album/inri-3
2) jasonparent.bandcamp.com/album/inriched
2.5) jasonparent.bandcamp.com/album/inrimake
3) jasonparent.bandcamp.com/album/inridiculous
4) jasonparent.bandcamp.com/album/deny-everything
4.5) jasonparent.bandcamp.com/album/inrimoved
5) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
5.5) jasonparent.bandcamp.com/album/the-wave
6) jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj-2
6.5) jasonparent.bandcamp.com/album/orchestral-works-vol-1
7) jasonparent.bandcamp.com/album/ftaa
the way this works is that you have to download inrimake, because it doesn't have a physical release.
this is meant to be cumulative and will increment as further lps generate themselves. ... moreships out within 7 daysedition of 5000Purchasable with gift card$221 CAD or more
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about
this is two things.
the introductory synth section was created independently as the introduction to a theoretical third demo (which became jasonparent.bandcamp.com/album/deny-everything). i had also already decided to compile the covers disc and ended up using it for an introduction to this cover of hummer, instead. so i "lost" the section. i've regretted letting the part go a few times since, so much that i've decided to rectify it (see here for an instrumental reclamation: jasonparent.bandcamp.com/track/missed-connection ).
the rest of it is actually two different approaches to the same thing. i ended up using them both by stringing them together rather than one or the other.
i was also feeling trapped in the covers project, generally. this is something that took a huge amount of time and energy. why wasn't i applying that towards original material? the samples at the end are meant to represent me breaking free of myself, and letting myself loose to get back to my own ideas. so i could live again. i plead guilty to all counts of being a drama queen.
i also ended up co-opting the song, mildly. i focused solely on the instrumental part in the second half of the track, which has a very carefree quality to it. it's not explicitly about rejecting war. but it fits.
musically, for the second part, i need to weight two tendencies. first, it was consciously meant to have this silly fake-jazz strut to it. second, i was clearly more interested in free jamming than composing anything with structure. it's a weird juxtaposition that sounds kind of dorky. sometimes, you have to begin analyzing something by determining whether it accomplished it's goal or not. i feel this did, but the intent was admittedly unusual.
this is so dramatically different from the original that it's reasonable to say something like that it's "inspired by" the original rather than a remix or a cover. it does contain creatively reinterpreted samples of the original.
created in sept & oct, 1999.
the introductory synth section was created independently as the introduction to a theoretical third demo (which became jasonparent.bandcamp.com/album/deny-everything). i had also already decided to compile the covers disc and ended up using it for an introduction to this cover of hummer, instead. so i "lost" the section. i've regretted letting the part go a few times since, so much that i've decided to rectify it (see here for an instrumental reclamation: jasonparent.bandcamp.com/track/missed-connection ).
the rest of it is actually two different approaches to the same thing. i ended up using them both by stringing them together rather than one or the other.
i was also feeling trapped in the covers project, generally. this is something that took a huge amount of time and energy. why wasn't i applying that towards original material? the samples at the end are meant to represent me breaking free of myself, and letting myself loose to get back to my own ideas. so i could live again. i plead guilty to all counts of being a drama queen.
i also ended up co-opting the song, mildly. i focused solely on the instrumental part in the second half of the track, which has a very carefree quality to it. it's not explicitly about rejecting war. but it fits.
musically, for the second part, i need to weight two tendencies. first, it was consciously meant to have this silly fake-jazz strut to it. second, i was clearly more interested in free jamming than composing anything with structure. it's a weird juxtaposition that sounds kind of dorky. sometimes, you have to begin analyzing something by determining whether it accomplished it's goal or not. i feel this did, but the intent was admittedly unusual.
this is so dramatically different from the original that it's reasonable to say something like that it's "inspired by" the original rather than a remix or a cover. it does contain creatively reinterpreted samples of the original.
created in sept & oct, 1999.
credits
from inrimake,
track released October 8, 1999
j - guitars, effects, bass, synth, drum programming, sequencing, vocals, sampling, digital wave editing, production
track originally written by the smashing pumpkins. reconstructed and reinterpreted by inri. contains minimal samples of the original track.
j - guitars, effects, bass, synth, drum programming, sequencing, vocals, sampling, digital wave editing, production
track originally written by the smashing pumpkins. reconstructed and reinterpreted by inri. contains minimal samples of the original track.
license
all rights reserved
tags
about
jessica murray Windsor, Ontario
this is the archive for the artist formerly known as jason parent and now known as jessica
murray.
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
... more
discography
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Sep 2001 -
Jun 2001 -
May 2001 -
May 2001
contact / help
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