so, after some months of denial, i've come to the sober realization that most of my classical guitar monstrosities are now forever lost in the consequences of a snow-flooded backyard shed. i would shed a tear, if it weren't for the reality that they've been lost to my mind and my fingers for far too many years to recover them, anyways.
i would have laughed at you if you would have told me i'd be sitting here, thirteen years later, lamenting the fact that i never recorded these pieces. yet, here i am.
there's not really a good reason why i never recorded these. i just didn't. it's true that i was distracted by other projects, and that i wanted to make sure they were perfectly imperfect before i let them out. that doesn't explain why i never bothered demoing them, or even just recording them half-assed for historical purposes. alas...now they are gone...
i took classical guitar lessons for about a year from spring '00 to spring '01. by that time, i'd been playing guitar for almost ten years and had been through many years of blues and jazz training, albeit not for several years before then. i didn't want to go back to rock-era instruction, but i felt i could benefit from approaching the guitar with a different perspective. i also wanted to learn a little about counterpoint. so, we went with renaissance pieces to start off with (and which comprise this short offering) and more avant pieces by the likes of leo brouwer near the end.
a punk with a classical guitar is still a punk, just a punk with a classical guitar. throughout the experience, my cobain instincts and hendrix flairs overpowered any demands to play nicely. the truth is the guy i was paying absolutely despised me, but he also had a muted level of respect for somebody with the panache to actually think about even trying to pull this shit off. i caught him open-jawed a few times, as impressed as he was shocked.
there were almost twenty of these things written out. he'd present me with a score and i'd just go to town with it, scrawling notes all over it, changing chords, making up notation symbols, just whatever i thought sounded better. the results were a legitimate fusion of noise rock and classical guitar music in a way that stressed technical playing over atmospheres. what is present here is the very tip of this iceberg.
yet, i didn't want to just record them. i wanted to recreate them. the version of little suite that is here is a good example of where i wanted to take these things. the problem i ran into was that i didn't know how to. which isn't to say that i didn't how to do what i wanted but that i couldn't conceive of what i wanted to do. so, i kept putting it off until that stroke of inspiration would finally come...
it never came, and is now lost.
there will be a second version of this; how far in the future that will be, i cannot say. i think a part of me wants to wait until i'm older and is happy i now have the excuse to do that. for now, though, i'm closing down this project, restricting it to this short ep and an album of unrealized dreams.
recorded in the first part of 2001. sequenced as is in january, 2014. as always, please use headphones.
released May 10, 2001
j - classical and electric guitars, ebow, effects, organ, synthesizers, sound design, sampling, sequencing, drum programming, vocals, digital wave editing
original authors forgotten. please contact if you recognize these pieces.
this is the archive for the artist formerly known as jason parent and now known as jessica
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock"....more