-
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
inri069.
lp018.
tetris I-IV.Purchasable with gift card$40 CAD or more
-
Compact Disc (CD) + Digital Albumfour numbered cd printed cd-rs in four separate jewel cases. jam064. lp018. tetris I-IV.
Includes unlimited streaming of tetris via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 daysedition of 5000Purchasable with gift card$80 CAD or more
-
-
contents:
1) jasonparent.bandcamp.com/album/tetris-vols-1-4
2) disc 1 of jasonparent.bandcamp.com/album/ambient-works-vol-1-2
3) jasonparent.bandcamp.com/album/orchestral-works-vol-1
tetris V is ambient works, vol 1 (inri071a). this collection does not include inri071b, but will often ship with it. tetris VI is the orchestral works, vol 1 (inri072). please choose to download inri072 in order to receive the bonus track.
this is meant to be cumulative and will increment as further tetris discs generate themselves.
Includes unlimited streaming of tetris via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 daysedition of 5000Purchasable with gift card$120 CAD or more
-
-
Full Digital Discography
Get all 93 jessica murray releases available on Bandcamp.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of purchase of complete physical discography, 01/2014: music journal, 12/2013: music journal, 11/2013: music journal, 10/2013: music journal, 09/2013: music journal, 08/2013: music journal, 07/2013: music journal (2/2), and 85 more.
Purchasable with gift card$848 CAD or more
1. |
volume I
00:01
|
|
||
2. |
fuck the dead
05:42
|
|
||
3. |
hey god
02:57
|
|
||
4. |
schizoid
06:12
|
|
||
5. |
why
04:30
|
|
||
6. |
idiotic
04:34
|
|
||
7. |
|
|||
8. |
book it!
10:59
|
|
||
9. |
a commercial break
06:15
|
|
||
10. |
curious george
04:44
|
|
||
11. |
the time machine
03:09
|
|
||
12. |
|
|||
13. |
algebra
05:06
|
|
||
14. |
|
|||
15. |
volume II
00:01
|
|
||
16. |
skaters
03:34
|
|
||
17. |
mwp
04:56
|
|
||
18. |
boogeyman
04:45
|
|
||
19. |
|
|||
20. |
|
|||
21. |
clarity
10:16
|
|
||
22. |
fuck boxes
09:47
|
|
||
23. |
time (unstuck mix)
04:14
|
|
||
24. |
|
|||
25. |
ignorance is bliss
11:19
|
|
||
26. |
|
|||
27. |
volume III
00:01
|
|
||
28. |
|
|||
29. |
_
05:00
|
|
||
30. |
tribute
03:53
|
|
||
31. |
malfunction
06:02
|
|
||
32. |
confusion
05:48
|
|
||
33. |
preludio
02:05
|
|
||
34. |
little suite
08:23
|
|
||
35. |
strung out
06:44
|
|
||
36. |
atom's
05:07
|
|
||
37. |
|
|||
38. |
|
|||
39. |
trepanation nation (end)
06:35
|
|
||
40. |
|
|||
41. |
volume IV
00:01
|
|
||
42. |
|
|||
43. |
|
|||
44. |
|
|||
45. |
|
|||
46. |
fuck boxes (guitar mix)
09:47
|
|
||
47. |
|
|||
48. |
|
|||
49. |
untitled (guitar mix)
14:00
|
|
||
50. |
hyperbola (instrumental)
05:32
|
|
||
51. |
|
about
previous release (inriℵ17):
jasonparent.bandcamp.com/album/flac-bd-disc-volume-1
the origins of the tetris project emerge in my records some time in mid-2006. i must have been filing some things on my hard drive, and wanting to put a bunch of the loose ends in the same folder, because what i remember is having a lot of loose tracks and trying to find a way to fit them together. the best commonality i could find in these tracks is that they all attempted to merge guitar music with electronic music, so i devised a project that would utilize these tracks by exploring this theme to it's fullest.
tetris is the idea of combining guitar music with technology. it just sat that way, for years, as a folder on my hard drive, with little progress towards actual completion.
when i set up the bandcamp site in 2010, i uploaded a number of these loose tracks under the album header 'tetris', with a promise to add tracks to it, slowly, until it completes. this was intended to be an eventual official record with an explicit techno flavour, and some tracks were, in fact, added to it. as of january, 2018, the majority of these tracks have been completed and re-released on my fifth or sixth records. so, this project has been dismantled, as it initially existed.
upon initial completion of my second period in may of 2015, i sat down to create a guitar volume. some work was completed on a mix tape of solo parts, but this was ultimately where i left off to go back to complete period 1. before i put it aside, i had decided on a three-volume set: a mix tape and a 2xcd set, with one cd being a tetris volume 1 (converted to an end-of-period compilation) and the other cd being of atmospheric, political and noise sections.
i didn't get back to this until late december, 2017 and sat down to create a tetris volume 1 as i had decided upon in 2015. but, what i started to realize as i was compiling it was that the reason that this connection presented itself amongst the scattered tracks i initially applied it to was that it is a fundamental aspect of my art - nearly every track i've written since 1998 takes the guitar through an exploration in the world of electronic music. i started to think more abstractly about it, this combination of technology with guitars, so that the definition fit across more genres than techno and idm. this wider interpretation of the project's mandate created a larger pool of tracks to choose from, and i eventually settled on two volumes for tetris: one with a faster tempo and more danceable tracks and one with a slower tempo and jazzier or more psychedelic tracks. some tracks that i identified as 'orchestral' were also put aside for future release on a later tetris volume.
the atmospheric disc wasn't initially contemplated of as a tetris release, it was rather meant to make the release an inclusive guitar works, as that is also a major component of my guitar presentation. but, my wider interpretation of the mandate allowed me to see that the tracks i had put aside for this compilation were also an exploration of guitars and technology. so, i created this disc as a tetris volume. a strategic decision was made to not include tracks on the first ambient works, but rather to defer to it as the ambient component of my second period guitar work.
i had also decided in late 2017 that i would create a compilation of guitar-only mixes for the lp sequence to close period 2, to draw special attention to the primary focus of my creations, which is the guitar work. i strongly contemplated releasing only disc 4 in this space of inri069, and leaving the other three for a later release, as a coherent multi-disc part tetris. however, the need to include inri071a in the tetris sequence necessitated releasing these tetris volumes in this space. further, a standalone release of disc 4 would also require a tetris number - it is certainly an integration of technology and guitars.
that makes inri071a tetris V. i've also decided that inri072, the orchestral works, should be tetris VI.
as a six volume set, this compilation touches upon nearly every track that was written between 1998-2003 and has guitars in it by placing it into one or more of these six slightly overlapping categories. as such, this is a comprehensive introduction to my first two periods, from the perspective of my work as a guitarist.
initially written and recorded between 1997-2003. this compilation idea was developed and expanded upon as an intended full record release between 2006 and 2011. reinterpreted, reconstructed and remixed between 2014-2018. sequenced over december, 2017 and january, 2018. disc released & finalized as lp018 and tetris I-IV on jan 7, 2018. as always, please use headphones.
this recording is a part of the following collections:
1) inriℵ18: jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6
2) inriℵ19: jasonparent.bandcamp.com/album/lps-only-volume-2
3) inriℵ20: jasonparent.bandcamp.com/album/period-2
4) mp3 dvd vol 3
5) tetris box set
6) flac bd vol 2
it is also a part of the following bundles:
1) jasonparent.bandcamp.com/merch/full-physical-lp-collection-26-cds-1-cassette-2-flac-dvds
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2015, 2017-2018).
next release (inriℵ18):
jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6
jasonparent.bandcamp.com/album/flac-bd-disc-volume-1
the origins of the tetris project emerge in my records some time in mid-2006. i must have been filing some things on my hard drive, and wanting to put a bunch of the loose ends in the same folder, because what i remember is having a lot of loose tracks and trying to find a way to fit them together. the best commonality i could find in these tracks is that they all attempted to merge guitar music with electronic music, so i devised a project that would utilize these tracks by exploring this theme to it's fullest.
tetris is the idea of combining guitar music with technology. it just sat that way, for years, as a folder on my hard drive, with little progress towards actual completion.
when i set up the bandcamp site in 2010, i uploaded a number of these loose tracks under the album header 'tetris', with a promise to add tracks to it, slowly, until it completes. this was intended to be an eventual official record with an explicit techno flavour, and some tracks were, in fact, added to it. as of january, 2018, the majority of these tracks have been completed and re-released on my fifth or sixth records. so, this project has been dismantled, as it initially existed.
upon initial completion of my second period in may of 2015, i sat down to create a guitar volume. some work was completed on a mix tape of solo parts, but this was ultimately where i left off to go back to complete period 1. before i put it aside, i had decided on a three-volume set: a mix tape and a 2xcd set, with one cd being a tetris volume 1 (converted to an end-of-period compilation) and the other cd being of atmospheric, political and noise sections.
i didn't get back to this until late december, 2017 and sat down to create a tetris volume 1 as i had decided upon in 2015. but, what i started to realize as i was compiling it was that the reason that this connection presented itself amongst the scattered tracks i initially applied it to was that it is a fundamental aspect of my art - nearly every track i've written since 1998 takes the guitar through an exploration in the world of electronic music. i started to think more abstractly about it, this combination of technology with guitars, so that the definition fit across more genres than techno and idm. this wider interpretation of the project's mandate created a larger pool of tracks to choose from, and i eventually settled on two volumes for tetris: one with a faster tempo and more danceable tracks and one with a slower tempo and jazzier or more psychedelic tracks. some tracks that i identified as 'orchestral' were also put aside for future release on a later tetris volume.
the atmospheric disc wasn't initially contemplated of as a tetris release, it was rather meant to make the release an inclusive guitar works, as that is also a major component of my guitar presentation. but, my wider interpretation of the mandate allowed me to see that the tracks i had put aside for this compilation were also an exploration of guitars and technology. so, i created this disc as a tetris volume. a strategic decision was made to not include tracks on the first ambient works, but rather to defer to it as the ambient component of my second period guitar work.
i had also decided in late 2017 that i would create a compilation of guitar-only mixes for the lp sequence to close period 2, to draw special attention to the primary focus of my creations, which is the guitar work. i strongly contemplated releasing only disc 4 in this space of inri069, and leaving the other three for a later release, as a coherent multi-disc part tetris. however, the need to include inri071a in the tetris sequence necessitated releasing these tetris volumes in this space. further, a standalone release of disc 4 would also require a tetris number - it is certainly an integration of technology and guitars.
that makes inri071a tetris V. i've also decided that inri072, the orchestral works, should be tetris VI.
as a six volume set, this compilation touches upon nearly every track that was written between 1998-2003 and has guitars in it by placing it into one or more of these six slightly overlapping categories. as such, this is a comprehensive introduction to my first two periods, from the perspective of my work as a guitarist.
initially written and recorded between 1997-2003. this compilation idea was developed and expanded upon as an intended full record release between 2006 and 2011. reinterpreted, reconstructed and remixed between 2014-2018. sequenced over december, 2017 and january, 2018. disc released & finalized as lp018 and tetris I-IV on jan 7, 2018. as always, please use headphones.
this recording is a part of the following collections:
1) inriℵ18: jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6
2) inriℵ19: jasonparent.bandcamp.com/album/lps-only-volume-2
3) inriℵ20: jasonparent.bandcamp.com/album/period-2
4) mp3 dvd vol 3
5) tetris box set
6) flac bd vol 2
it is also a part of the following bundles:
1) jasonparent.bandcamp.com/merch/full-physical-lp-collection-26-cds-1-cassette-2-flac-dvds
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2015, 2017-2018).
next release (inriℵ18):
jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6
credits
released April 26, 2003
j - electric & acoustic & classical guitars, digital & analog effects processing, ebow, mandolin, bass, bass synth, drum programming, analog & electronic drum kits, drum sampling, drum manipulations, vocals, vocal noises, sampling, orchestral & other sequencing, soundscaping, sound design, synthesizers, electric & grand pianos, electric reed organ, found sounds, octavers, noise generators, cool edit synthesis, granular synthesis, generative synthesis, loops, flute, coughs, digital wave editing, production
sean - harmonica (track 19), ring modulator (track 36)
greg - drum performance sample source (track 21)
the rendered electronic orchestra includes acoustic bass, synth bass, electric bass, brass, french horn, trombone, trumpet, tuba, english horn, saxophone, flute, bamboo flute, oboe, piccolo, clarinet, bassoon, orchestra hit, drum machine, electronic drum kit, agogo, tubular bells, glockenspiel, clavinet, kalimba, piano, melodic toms, hand drums, timpani, orchestral drum set, koto, nylon guitar, distorted & clean electric guitars, guitar effects, guitar noises, synthesizers, synthesizer effects, music box, piano, bells, organ, sitar, violin, viola, cello, contrabass, full string sections and mellotron. it also includes choir.
j - electric & acoustic & classical guitars, digital & analog effects processing, ebow, mandolin, bass, bass synth, drum programming, analog & electronic drum kits, drum sampling, drum manipulations, vocals, vocal noises, sampling, orchestral & other sequencing, soundscaping, sound design, synthesizers, electric & grand pianos, electric reed organ, found sounds, octavers, noise generators, cool edit synthesis, granular synthesis, generative synthesis, loops, flute, coughs, digital wave editing, production
sean - harmonica (track 19), ring modulator (track 36)
greg - drum performance sample source (track 21)
the rendered electronic orchestra includes acoustic bass, synth bass, electric bass, brass, french horn, trombone, trumpet, tuba, english horn, saxophone, flute, bamboo flute, oboe, piccolo, clarinet, bassoon, orchestra hit, drum machine, electronic drum kit, agogo, tubular bells, glockenspiel, clavinet, kalimba, piano, melodic toms, hand drums, timpani, orchestral drum set, koto, nylon guitar, distorted & clean electric guitars, guitar effects, guitar noises, synthesizers, synthesizer effects, music box, piano, bells, organ, sitar, violin, viola, cello, contrabass, full string sections and mellotron. it also includes choir.
license
all rights reserved
tags
about
jessica murray Windsor, Ontario
this is the archive for the artist formerly known as jason parent and now known as jessica
murray.
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
... more
discography
-
Sep 2001 -
Jun 2001 -
May 2001 -
May 2001
contact / help
If you like tetris, you may also like:
-
ESQUEMA DE LOCALIZACIÓN
by ISOCAOSIsocaos, from Lima, Peru, contrasts broken IDM geometry with ambient-inflected punk for a maddening, mesmerizing listening experience.
go to album -
The pulsing industrial sounds on the wonderfully brutal new LP from Tokyo group Rinsaga will be catnip for the black-glove-and-mesh set.
go to album -
Gnarly punk rock from the Philadelphia duo is unhinged in the best way, an in-the-red sonic assault a la Motorhead/Stooges.
go to album -
Grungy, noisy, purposefully uneasy indie pop from this Seattle trio led by the remarkably talented Nicolle Swims.
go to album -
Spiraling, fuzzed out psychedelia with experimental flourishes and ghostly vocals.
go to album -
The enigmatic punk-rap duo of Justin Pearson (The Locust, Swing Kids) and hip-hop producer Luke Henshaw make their long-awaited return.
go to album -
The veteran noise unit takes on themes of loneliness and isolation with their harsh, disquieting soundscapes.
go to album
