period 2 update disc
by jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
inri068.
lp017.Purchasable with gift card$10 CAD or more
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Compact Disc (CD) + Digital Albumnumbered cd printed cd-r in jewel case. jam063. lp017.
Includes unlimited streaming of period 2 update disc via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 daysedition of 5000Purchasable with gift card$20 CAD or more
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Full Digital Discography
Get all 93 jessica murray releases available on Bandcamp.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of purchase of complete physical discography, 01/2014: music journal, 12/2013: music journal, 11/2013: music journal, 10/2013: music journal, 09/2013: music journal, 08/2013: music journal, 07/2013: music journal (2/2), and 85 more.
Purchasable with gift card$848 CAD or more
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untitled (guitar mix)
14:00
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fuck boxes (overdub mix)
09:47
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untitled (overdub mix)
11:52
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about
previous release (inri067):
jasonparent.bandcamp.com/album/spoke
in the summer of 2013, two formative things happened at almost exactly the same time: my father died after a lengthy battle with brain cancer and i moved from ottawa, ontario to windsor, ontario. they were within a week from each other; my father died while i was camped out in a tim horton's on tecumseh, waiting to sign a lease and catch a bus back 'home'. but, dad was really the only remaining thing that made ottawa home, in the first place.
the reasons underlying my move were legitimate, if somewhat forced. my gear was stored in my father's garage, and i had been given notice that i would not be able to keep it there more than a moment past his death. my stepmother and i haven't spoken since. i legitimately couldn't find anything in ottawa, so finding the place in windsor was actually somewhat of a stroke of luck, given the urgency of the situation. i had hitched down there to meet friends, but in the end they couldn't sign a lease, so i went by myself.
the culmination of occurrences had me in the mindset of fresh beginnings. i finally had a stable income source on odsp, and a new apartment in a new city. so, i almost immediately set about completing all of the music that i had been putting aside for so long, in preparation for my own imminent demise, relative to the immense expanse that is time.
through whatever coincidence, i am permanently closing my second period during the week that i am being evicted from this same apartment, for the supposed reason of personal use. this apartment will consequently forever be associated with the completion of my second period.
yet, the bulk of the work done in this apartment - through immense difficulties with malfunctioning gear, questionable electrical outlets and a probable atmospheric magnetic field - has been in the realm of (re)mixing, orchestrating, programming and rearranging. it was just the nature of what needed to be done around an assortment of midi compositions and flat mixes from the early 00s. the really heavy lifting in completing my discography will come in finishing the third period, which i will not start until i move into a new apartment, around the corner from here.
with the exception of two vocal tracks (for inri020 and inri062), this disc is a comprehensive document of what was actually written as it was being recorded in the basement at 805 marion ave, in windsor, ontario, canada, in the form of a collection of overdub mixes that can be pasted on top of the existing demos in order to create the final products. it is mostly guitar and bass tracks, but also includes some orchestral and other sequencing and some electronic drum parts. everything else that was done in this basement was either created from existing sound or was constructed from existing midi instructions, however elaborately and however abstractly.
in hindsight, i can state with some force that this basement is not well suited for a recording studio. yet, these problems will be forever embedded within my own history, as well.
with those words, my tenure here ends. so long.
originally written, programmed and recorded in varying states of finality over 2001 and 2002, except the hidden track (which was programmed in 1997). the associated tracks were completed between february, 2014 and may, 2015; these mixes, however, were spun off as late as nov, 2017. released as lp017 on nov 27, 2017. expanded and finalized on jan 1, 2018. as always, please use headphones.
this recording is a part of the following collections:
1) inriℵ17: jasonparent.bandcamp.com/album/flac-bd-disc-volume-1
2) inriℵ18: jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6
3) inriℵ19: jasonparent.bandcamp.com/album/lps-only-volume-2
4) inriℵ20: jasonparent.bandcamp.com/album/period-2
5) mp3 dvd vol 3
it is also a part of the following bundles:
1) jasonparent.bandcamp.com/merch/full-physical-lp-collection-26-cds-1-cassette-2-flac-dvds
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2001, 2002, 2014, 2015, 2016, 2017).
next release (inriℵ17):
jasonparent.bandcamp.com/album/flac-bd-disc-volume-1
jasonparent.bandcamp.com/album/spoke
in the summer of 2013, two formative things happened at almost exactly the same time: my father died after a lengthy battle with brain cancer and i moved from ottawa, ontario to windsor, ontario. they were within a week from each other; my father died while i was camped out in a tim horton's on tecumseh, waiting to sign a lease and catch a bus back 'home'. but, dad was really the only remaining thing that made ottawa home, in the first place.
the reasons underlying my move were legitimate, if somewhat forced. my gear was stored in my father's garage, and i had been given notice that i would not be able to keep it there more than a moment past his death. my stepmother and i haven't spoken since. i legitimately couldn't find anything in ottawa, so finding the place in windsor was actually somewhat of a stroke of luck, given the urgency of the situation. i had hitched down there to meet friends, but in the end they couldn't sign a lease, so i went by myself.
the culmination of occurrences had me in the mindset of fresh beginnings. i finally had a stable income source on odsp, and a new apartment in a new city. so, i almost immediately set about completing all of the music that i had been putting aside for so long, in preparation for my own imminent demise, relative to the immense expanse that is time.
through whatever coincidence, i am permanently closing my second period during the week that i am being evicted from this same apartment, for the supposed reason of personal use. this apartment will consequently forever be associated with the completion of my second period.
yet, the bulk of the work done in this apartment - through immense difficulties with malfunctioning gear, questionable electrical outlets and a probable atmospheric magnetic field - has been in the realm of (re)mixing, orchestrating, programming and rearranging. it was just the nature of what needed to be done around an assortment of midi compositions and flat mixes from the early 00s. the really heavy lifting in completing my discography will come in finishing the third period, which i will not start until i move into a new apartment, around the corner from here.
with the exception of two vocal tracks (for inri020 and inri062), this disc is a comprehensive document of what was actually written as it was being recorded in the basement at 805 marion ave, in windsor, ontario, canada, in the form of a collection of overdub mixes that can be pasted on top of the existing demos in order to create the final products. it is mostly guitar and bass tracks, but also includes some orchestral and other sequencing and some electronic drum parts. everything else that was done in this basement was either created from existing sound or was constructed from existing midi instructions, however elaborately and however abstractly.
in hindsight, i can state with some force that this basement is not well suited for a recording studio. yet, these problems will be forever embedded within my own history, as well.
with those words, my tenure here ends. so long.
originally written, programmed and recorded in varying states of finality over 2001 and 2002, except the hidden track (which was programmed in 1997). the associated tracks were completed between february, 2014 and may, 2015; these mixes, however, were spun off as late as nov, 2017. released as lp017 on nov 27, 2017. expanded and finalized on jan 1, 2018. as always, please use headphones.
this recording is a part of the following collections:
1) inriℵ17: jasonparent.bandcamp.com/album/flac-bd-disc-volume-1
2) inriℵ18: jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6
3) inriℵ19: jasonparent.bandcamp.com/album/lps-only-volume-2
4) inriℵ20: jasonparent.bandcamp.com/album/period-2
5) mp3 dvd vol 3
it is also a part of the following bundles:
1) jasonparent.bandcamp.com/merch/full-physical-lp-collection-26-cds-1-cassette-2-flac-dvds
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2001, 2002, 2014, 2015, 2016, 2017).
next release (inriℵ17):
jasonparent.bandcamp.com/album/flac-bd-disc-volume-1
credits
released April 24, 2003
j - electric guitars, digital & analog effects & treatments, bass, synthesizers, electric air reed organ, drum & other sampling, drum programming, drum manipulations, electronic drum kit, orchestral & other sequencing, sound design, soundscaping, loops, digital wave editing, voice, production, composition.
greg - drum performance sample source (2)
the rendered electronic orchestra includes at least one of each of the following: violin, viola, cello, contrabass, koto, french horn, trombone, trumpet, tuba, english horn, saxophone, flute, oboe, piccolo, clarinet, bassoon, agogo, tubular bells, glockenspiel, piano, melodic toms, timpani, orchestral hit, orchestral drum set and various full string sections. it also includes choir.
j - electric guitars, digital & analog effects & treatments, bass, synthesizers, electric air reed organ, drum & other sampling, drum programming, drum manipulations, electronic drum kit, orchestral & other sequencing, sound design, soundscaping, loops, digital wave editing, voice, production, composition.
greg - drum performance sample source (2)
the rendered electronic orchestra includes at least one of each of the following: violin, viola, cello, contrabass, koto, french horn, trombone, trumpet, tuba, english horn, saxophone, flute, oboe, piccolo, clarinet, bassoon, agogo, tubular bells, glockenspiel, piano, melodic toms, timpani, orchestral hit, orchestral drum set and various full string sections. it also includes choir.
license
all rights reserved
tags
about
jessica murray Windsor, Ontario
this is the archive for the artist formerly known as jason parent and now known as jessica
murray.
the music here has shifted dramatically over many years, from roots in punk/grunge through to experimental synth pop and into a type of kitchen sink post-rock with heavy electronics. the only consistency throughout is a lack of consistency, guitars and an impressionist aesthetic. "blender rock".
... more
discography
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Sep 2001 -
Jun 2001 -
May 2001 -
May 2001
contact / help
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