it was around 2006 that i first decided to clear my discography of what had become irrelevant sample work - not irrelevant in the sense of the messaging being obsolete, but irrelevant in terms of listening value. i feel that listeners should be given the opportunity to choose. i've tried to keep instrumental mixes of conceptual tracks since that point.

however, i wasn't able to find the instrumental rabit is wolf copy that i knew existed so i tried to build the mix from scratch. i wasn't able to recreate large sections, or get the volume correct, so i put it aside until the the last few days of july, 2007 when i tried again. at this time, i was able to find an early instrumental remix from roughly april, 2002. this mix was only about half done. i added some of the remaining parts, but was still working in cool edit at the time and consequently had some difficulty syncing them well. i also added some extra production effects. however, i still wasn't really happy with the result and just put it aside.

i went back to school in the fall of 2008 with the aim of putting the music aside permanently. this didn't happen, and the truth is i never really thought it would. however, i wanted to compile a disc of symphonic shorts (inri09x) as a last release. some further modifications were made at this time, but it still didn't really feel right.

it wasn't until april 24, 2009 that i got a mix together that i felt ok about. while it doesn't include every piece of the track, it includes everything i could integrate well. that version has been in the symphony's final resting place, my seventh record, ever since.

unfortunately, some of the sequencing on the 2009 mix is suspect, and i ran it through a transform at some point that made the mix sound tinny at points, while introducing some digital noise. this mix has now been discarded, but released here as the 'youtube mix'.

in line with my decision to comprehensively complete my discography, i've completely deconstructed and reconstructed the track in cubase by carefully lining up the files using clues provided by the waveform. i've also deconstructed parts of it using the technique of digital phase reversal. this has allowed me to remaster it properly and also to ensure that it's completely in sync. this process included liberal use of digital effects to make it finally sound how i always wanted it to sound.

so, this is the final and definitive version of the track. it replaces the previous version on my seventh record. the song was completed in this form on july 1, 2002 but the manipulations in the mix also date to (1) july, 2007, (2) august, 2008, (3) april, 2009 and (4) nov/dec, 2014. final mix completed on dec 7, 2014. no new sound was recorded after july 1, 2002.